wtorek, 30 lipca 2024

Luís de Camões

 Celebrating 500 Years of Luís de Camões: The Legacy of Portugal's Literary Giant

 ©Andrzej Philips


This year marks the 500th anniversary of the birth of Luís de Camões, one of Portugal's greatest literary figures. Known for his epic poem *Os Lusíadas*, Camões' work has left an indelible mark on Portuguese literature and culture. His life and writings continue to be celebrated for their profound influence and artistic brilliance.

The Portuguese Post commemorates the 500th anniversary of Camões' birth with stamps (€0.65 and €1.30) and a block (€3.50) issued on July 10, 2024.




The €0.65 stamp presents a portrait of the poet (the so-called "Retrato a vermelha"), and the €1.30 stamp shows an extract from *Os Lusíadas* – Canto 1, verse 2. The souvenir sheet presents an extract from *Os Lusíadas* – Canto 1, verse 1, and a painting by Alfredo Roque Gameiro, "A partida do Vasco da Gama a Índia em 1497" ["Vasco da Gama's departure to India in 1497"].



The First Day Cover presents the caravel of Fernão Cabral.

 

 

Canto (book) 1, verse 2 (the stamps for €1,30)

 

Portuguese:

E também as memórias gloriosas

Daqueles Reis, que foram dilatando

A Fé, o Império, e as terras viciosas

De África e de Ásia andaram devastando;

E aqueles, que por obras valerosas

Se vão da lei da morte libertando;

Cantando espalharei por toda parte,

Se a tanto me ajudar o engenho e arte.

English:

And also the glorious memories

Of those kings who expanded

The Faith, the Empire, and the vicious lands

Of Africa and Asia they devastated;

And those who by valiant deeds

Are escaping the law of death;

Singing, I will spread everywhere,

If my talent and skill help me to do so.

 

Canto 1, verse 1 (the souvenir sheet)

Portuguese:

As armas e os barões assinalados

Que da ocidental praia Lusitana

Por mares nunca de antes navegados

Passaram ainda além da Taprobana[1],

Em perigos e guerras esforçados

Mais do que prometia a força humana,

E entre gente remota edificaram

Novo Reino, que tanto sublimaram;

 

English:

The arms and the famed heroes

Who from the western shore of Lusitania

By seas never before sailed

Went beyond Taprobana[2],

In dangers and wars strived

More than human strength promised,

And among remote peoples built

A new kingdom, which they so exalted;

 


The Life of Luís de Camões

 

Luís de Camões was born in 1524, though the exact date and location of his birth remain subjects of speculation. He lived during a time of great exploration and change, with the Portuguese Empire reaching its zenith. Camões' life was as adventurous and tumultuous as the times he lived in. He traveled extensively, including time spent in India, China, and Mozambique, experiences that deeply influenced his writing.

 

Despite his contributions to literature, Camões faced numerous hardships, including imprisonment and financial difficulties. His personal struggles and adventurous spirit are reflected in his works, making his poetry rich with emotion and experience.

 

Os Lusíadas: A National Epic

 

"Os Lusíadas", published in 1572, is Camões' magnum opus and a cornerstone of Portuguese literature. The epic poem celebrates the voyages of Portuguese explorers, particularly Vasco da Gama, and the discovery of the sea route to India. Through this work, Camões not only glorified Portugal's maritime achievements but also explored themes of heroism, patriotism, and human endeavor.

 

The poem is a blend of classical and Renaissance influences, showcasing Camões' mastery of language and poetic form. Its enduring popularity is a testament to its literary excellence and its significance in Portuguese culture.

 

Camões' Literary Legacy

 

Beyond "Os Lusíadas", Camões wrote numerous lyrical poems, including sonnets, elegies, and eclogues. His lyrical poetry is characterized by its emotional depth, exploring themes of love, loss, and longing. Camões' ability to convey complex emotions with clarity and beauty has earned him a place among the great poets of the Renaissance.

 

His works have been translated into numerous languages, allowing his influence to extend far beyond Portugal. Camões is often compared to other literary giants such as Dante, Shakespeare, and Cervantes, highlighting his global significance.

 

Celebrating Camões Today

 

The 500th anniversary of Camões' birth is being celebrated with various events and initiatives aimed at honoring his legacy. Literary festivals, academic conferences, and public readings of his works are taking place in Portugal and around the world. These celebrations are not only a tribute to Camões' contributions to literature but also an opportunity to explore the ongoing relevance of his themes and ideas.

 

The Portuguese government and cultural institutions are also promoting educational programs to introduce Camões' works to new generations. By doing so, they ensure that his legacy continues to inspire and influence future writers and readers.

 

Luís de Camões remains a towering figure in the world of literature, his works capturing the spirit of his time while continuing to resonate with readers today. As we celebrate the 500th anniversary of his birth, we are reminded of the enduring power of his poetry and the lasting impact of his artistic vision. Through his epic tales of adventure and his poignant lyrical verses, Camões invites us to explore the depths of the human experience and the heights of creative expression.

 



[1] In "Os Lusíadas", "Taprobana" refers to the island of Sri Lanka, known in ancient and classical literature as Taprobana or Taprobane. This name was used by Greek and Roman geographers to describe the island, and it appears in various classical texts. Luís de Camões includes this reference to emphasize the vast and uncharted territories explored by the Portuguese during their voyages of discovery.

[2] See the end note above





niedziela, 21 lipca 2024

Otto Engelhardt - Kyffhäuser

 [1]

[2]











[3] 





Winter Welfare).



 


 (born on  5th January 1884 in Artern; died on 7th June 1965 in Göttingen) was a  painter and art teacher.

Engelhardt, who came from the Prussian province of Saxony (he received the nickname because of his birthplace near Kyffhäuser[4]), trained at the art academies in Kassel from 1901-07, including Berlin and Weimar, where he was a member of the Weimar etching association. In 1914 his works were exhibited at the Kunstverein Darmstadt. During the First World War he was a senior field hunter in the 4th reserve hunter battalion and a war painter in the fighting troops. From 1919 to 1939 he worked in Görlitz, became a teacher of art education at the Luisenschule there (today the Joliot-Curie-Gymnasium) and appeared in public with numerous pen drawings, etchings and paintings. In 1928, several murals he designed were ceremoniously unveiled in the auditorium of the Görlitz Luisenschule. In 1930 he was a co-founder of the Rotary Club of Görlitz. He joined the NSDAP and SS, came to terms with contemporary propaganda needs, drew numerous war pictures and portrayed several National Socialist greats.

persons, including their personal date like place and birth date.


Farmer Anton Steckbauer


The card describing Farmer Anton Steckbauer

 

For example, the card presenting Anton Steckbauer contains his exact birthdate 6th May, 1896, and place – Ludwikówka, what corresponds with data in OFB (Ortsfamilienbuch/Family Book[5]):

STECKBAUER (= Stekbauer), Anton, born on 6.5.1866 in Ludwikówka[6] {Myslivka} (Dolina)/Gal. [UA], House Nr. 21., son of Anton Steckbauer and FICHTEL (∞ Schaller, Steckbauer), Katharina born 1837 in Tarnów/Gal.

 

[7]


Soon after the last war, Engelhardt was the first German painter to be invited to Paris to organize an Engelhardt-Kyffhäuser exhibition. What he showed became a sensation for all art connoisseurs in France. It was a new process in painting, the monotype, as he called it. They outdid each other in Paris in enthusiastic appreciations. For example, the "Pariser Currier" headlined his essay: "With melting oil paint" and wrote: "After long attempts, he finally found a way that opened up completely new possibilities of artistic expression for him. Above all, he was helped by a binder he discovered, which gives the colours the greatest elasticity and suppleness. The work, applied to a light-coloured metal plate, is heated to such an extent that the colours begin to melt and often converge like enamel. The scraped out highlights and contours, however, even if they are wafer-thin, do not merge, but remain razor-sharp and correct. Extraordinarily powerful effects are achieved that cannot be achieved by any other technique."

"La Revue moderne des arts et de la vie", however, calls Engelhardt "a real artist who is focused on greatness". He is "swept away by his inspiration" and he is not afraid to "tackle even the most sublime subjects". And further: "It would be wrong to classify Otto Engelhardt-Kyffhäuser in any school. His powerful personality is self-sufficient." This is followed by a detailed appraisal of the individual "masterpieces" exhibited in this prestigious journal and the conclusion: "It is not possible to give in a few dry sentences even a reasonably clear idea of such an abundance of inspiration and imagination as these works reveal. How far we are from the trimmed art of so many artists of our time, who are content with the limited horizon of a café or a dance hall! Therefore, one must take one's hat off to the work of Otto Engelhardt-Kyffhäuser without hesitation."

While the Parisian press spoke of "the most sublime themes", such were also shown in particular in the exhibitions that Engelhardt presented on the basis of his repeated travels to and through Egypt. In 1960, as part of the new cultural agreement between the Federal Republic of Germany and the United Arab Republic, he was invited to show his large monotype exhibition with Egyptian and some German motifs in February at the Kunsthalle Alexandriens. It was opened in Cairo by the Egyptian Minister of Culture and the German Ambassador. The Minister of Culture acquired for the new modern museum in. Cairo also has the image of the Erfurt Cathedral and the Severi Church.

While the "most sublime subjects" in Egypt included many of the country's sanctuaries and buildings, which are several thousand years old, Engelhardt-Kyffhäuser was invited to Rome to paint the sites of Christian culture. Although a Protestant, he won friends through his art in the "Institutum Germanicuni". From this place he was given a special place in St. Peter's Basilica, from which he could capture the Pope in various positions in the middle of the service. All of his Roman paintings are also of radiant colour and do not fail to have an effect on people of other faiths.

Through such achievements and successes, Otto Engelhardt-Kyffhäuser became one of Germany's best-known painters[8].

 



[1] On the treck (German).

[2] Erinnerung an die Umsiedlung der Galiziendeutschen 1939/40 (Remembrance of the resettlement the Galician Germans 1939/40),  Erich Müller, Zeitweiser 2009 der Galiziendeutschen, p. 24

[3] Erich Müller, Zeitweiser 2009 der Galiziendeutschen, ibidem p. 26

 

[5] Ortsfamilienbuch/Family Book, Manfred Daum, available by GGD

[6] The place was founded around 1820. The settlers came from Bohemia and were Roman Catholics. The new independent municipality of Ludwikówka also included the smaller settlements of Josephstal (founded in 1832) and Leopoldsdorf (founded in 1870). In 1900 the municipality of Ludwikówka had 62 houses with 445 inhabitants, of which 391 were German-speaking. In 1946 the name was changed to Myslivka. The place became part of the Kalush district in Ukraine.