In my previous article about Ada Blackjack, published here on August 9, 2024, I wrote: “It's curious that no postal administration, particularly American, has ever dedicated a stamp to Ada Blackjack Johnson. I have submitted a petition to the United States Postal Service to issue a commemorative stamp in honor of Ada Blackjack Johnson.”
Today, I received the following response to my petition:
Let’s hope that stamps featuring Ada Blackjack will be released.
Surviving the Arctic: The Remarkable Journey of Ada Blackjack
©Andrzej Philips
Ada Blackjack Johnson (1898-1983) was an
Inupiat woman who gained fame as the sole survivor of the ill-fated 1921
Wrangel Island Expedition. Her story is a remarkable example of resilience and
courage in the face of the harsh Arctic environment. Her role was to serve as a
cook and seamstress for a group of four men who were to conduct research on the
remote island located north of Siberia. Ada agreed to join the expedition
because she needed money to pay for her son's medical treatment.
The was an ambitious but ultimately tragic
attempt to claim Wrangel Island, a remote Arctic territory, for Canada.
Organized by Vilhjalmur Stefansson, a well-known
Canadian Arctic explorer, the expedition sought to establish a permanent
settlement on Wrangel Island, located in the Chukchi Sea, north of Siberia.
The
Expedition Team
The
expedition team consisted of five members:
- Allan
Crawford (20 years old): The leader of the group, a Canadian who had previously
worked with Stefansson.
- Frederick
Maurer (28 years old): An experienced American sailor with Arctic experience.
- Milton
Galle (19 years old): An American from Texas who served as the expedition's
assistant.
- Lorne
Knight (28 years old): An experienced explorer who had already participated in Stefansson's
previous Arctic expeditions.
- Ada
Blackjack (23 years old): An Inupiat woman hired as a cook and seamstress. She
was a single mother who joined the expedition out of financial necessity to
support her son.
Life on Wrangel Island
The team
arrived on Wrangel Island in September 1921, bringing with them a limited
supply of food and equipment. Stefansson had promised that a resupply ship
would arrive the following summer, but the harsh Arctic conditions made life on
the island difficult. The group had to rely on hunting for food, and the
expected resupply ship never arrived. As the months passed, the situation
became increasingly dire. By the summer of 1922, it became clear that the team
was in serious trouble. Their supplies were running low, and hunting proved
difficult in the harsh Arctic environment. The team was forced to eat the
meager game they could catch, but it wasn't enough to sustain them.
The Tragic Outcome
In January
1923, three of the men—Crawford, Maurer, and Galle—attempted to reach the
Siberian mainland on foot across the ice in search of help, but they were never
seen again. Lorne Knight, who stayed behind with Ada Blackjack, became gravely
ill, likely from scurvy and malnutrition. Ada, despite her initial reluctance
and lack of experience in hunting, managed to take care of Knight for as long
as she could. Unfortunately, he died in June 1923, leaving Ada as the sole
survivor.
Ada Blackjack's Survival and Rescue
Ada
Blackjack spent several months alone on Wrangel Island, surviving through sheer
determination and the survival skills she had developed. In August 1923, she
was rescued by a relief party sent by Stefansson, who had finally realized the
dire situation on the island. Ada was the only survivor of the expedition.
Aftermath
The 1921
Wrangel Island Expedition ended in tragedy, with the deaths of all four men
involved. Stefansson's reputation suffered significantly as a result, as he was
widely criticized for the poor planning and lack of support that led to the
disaster. Ada Blackjack, who had joined the expedition out of desperation,
returned to Alaska and lived a quiet life, though her story eventually became
well-known as a testament to human resilience and
survival.
Vilhjalmur Stefansson[1] is widely known, with numerous publications dedicated to his life and
work[2]. Besides the Wrangel Island expedition, Stefansson resumed his
explorations by sledge over the Arctic Ocean (locally known as the Beaufort
Sea), departing from Collinson Point, Alaska, in April 1914. On May 28, 1986,
the United States Postal Service issued a 22-cent postage stamp in his honor.
Similarly, Canada commemorated Stefansson's 1914 expedition in its 1989
"Exploration of Canada" series. The Marshall Islands also honored
Stefansson in their "Arctic Explorers" series, issued on April 14,
2009.
USA stamp commemorating Vilhjalmur Stefansson
Stamp and the set “Arctic Explorers” edited by
Marshall Islands
Canadian stamp commemorating Vilhjalmur Stefansson
.jfif)
Full Canadian set
Petition
to United States Postal Service
It's
curious that no postal administration, particularly American, has ever
dedicated a stamp to Ada Blackjack Johnson. I have sent a petition to United
States Postal Service to issue a commemorative stamp in honor of Ada Blackjack
Johnson.
Early
Life
Ada
Blackjack was born in 1898 in a small Inupiat village in Alaska. Raised by
missionaries, she lost her parents at a young age and had to learn how to
survive in the challenging conditions of the Arctic. In 1917, she married Jack
Blackjack, with whom she had a son named Bennett. Their marriage ended in
divorce, leaving Ada as a single mother in Anchorage, struggling to support
herself and her son, who was suffering from tuberculosis.
Return
to Civilization
Ada was rescued
in August 1923 by a relief party that found her as the sole survivor of the
expedition. Upon her return to Anchorage, she became a hero, though she was
reluctant to give interviews and avoided the spotlight.
Later Years
After her
return from the expedition, Ada continued to struggle with poverty and tried to
provide a better life for her son. She eventually settled in Seattle, where she
spent the rest of her life. Although she never achieved significant fame or
fortune, her story became a symbol of courage and perseverance.
Ada
Blackjack passed away in 1983, leaving behind a legacy as a quiet hero whose
life was a testament to the extraordinary strength of the human spirit in the
face of overwhelming adversity. Her story was later chronicled in books and
films, ensuring that her remarkable life would be remembered by future
generations.
More about
Ada Blackjack life you may read here:
Ada
Blackjack: Forgotten Queen of Arctic Expeditions
https://oceanwide-expeditions.com/blog/ada-blackjack-forgotten-queen-of-arctic-expedition-survivors
and Ada
Blackjack
https://raunerlibrary.blogspot.com/2012/04/ada-blackjack.html
Celebrating 500 Years of Luís de Camões: The Legacy of Portugal's Literary Giant
This year
marks the 500th anniversary of the birth of Luís de Camões, one of Portugal's
greatest literary figures. Known for his epic poem *Os Lusíadas*, Camões' work
has left an indelible mark on Portuguese literature and culture. His life and
writings continue to be celebrated for their profound influence and artistic
brilliance.
The
Portuguese Post commemorates the 500th anniversary of Camões' birth with stamps
(€0.65 and €1.30) and a block (€3.50) issued on July 10, 2024.
The First
Day Cover presents the caravel of Fernão Cabral.
Canto
(book) 1, verse 2 (the stamps for €1,30)
Portuguese:
E também as
memórias gloriosas
Daqueles
Reis, que foram dilatando
A Fé, o
Império, e as terras viciosas
De África e
de Ásia andaram devastando;
E aqueles,
que por obras valerosas
Se vão da lei da morte libertando;
Cantando
espalharei por toda parte,
Se a tanto
me ajudar o engenho e arte.
English:
And also
the glorious memories
Of those
kings who expanded
The Faith,
the Empire, and the vicious lands
Of Africa
and Asia they devastated;
And those
who by valiant deeds
Are
escaping the law of death;
Singing, I
will spread everywhere,
If my
talent and skill help me to do so.
Canto 1,
verse 1 (the souvenir sheet)
Portuguese:
As armas e
os barões assinalados
Que da
ocidental praia Lusitana
Por mares
nunca de antes navegados
Passaram ainda além da Taprobana[1],
Em perigos
e guerras esforçados
Mais do que
prometia a força humana,
E entre
gente remota edificaram
Novo Reino,
que tanto sublimaram;
English:
The arms
and the famed heroes
Who from
the western shore of Lusitania
By seas
never before sailed
Went beyond
Taprobana[2],
In dangers
and wars strived
More than
human strength promised,
And among
remote peoples built
A new
kingdom, which they so exalted;
The Life of
Luís de Camões
Luís de
Camões was born in 1524, though the exact date and location of his birth remain
subjects of speculation. He lived during a time of great exploration and
change, with the Portuguese Empire reaching its zenith. Camões' life was as
adventurous and tumultuous as the times he lived in. He traveled extensively,
including time spent in India, China, and Mozambique, experiences that deeply
influenced his writing.
Despite his
contributions to literature, Camões faced numerous hardships, including
imprisonment and financial difficulties. His personal struggles and adventurous
spirit are reflected in his works, making his poetry rich with emotion and
experience.
Os
Lusíadas: A National Epic
"Os
Lusíadas", published in 1572, is Camões' magnum opus and a cornerstone of
Portuguese literature. The epic poem celebrates the voyages of Portuguese
explorers, particularly Vasco da Gama, and the discovery of the sea route to
India. Through this work, Camões not only glorified Portugal's maritime
achievements but also explored themes of heroism, patriotism, and human
endeavor.
The poem is
a blend of classical and Renaissance influences, showcasing Camões' mastery of
language and poetic form. Its enduring popularity is a testament to its
literary excellence and its significance in Portuguese culture.
Camões'
Literary Legacy
Beyond "Os
Lusíadas", Camões wrote numerous lyrical poems, including sonnets, elegies, and
eclogues. His lyrical poetry is characterized by its emotional depth, exploring
themes of love, loss, and longing. Camões' ability to convey complex emotions
with clarity and beauty has earned him a place among the great poets of the
Renaissance.
His works
have been translated into numerous languages, allowing his influence to extend
far beyond Portugal. Camões is often compared to other literary giants such as
Dante, Shakespeare, and Cervantes, highlighting his global significance.
Celebrating
Camões Today
The 500th
anniversary of Camões' birth is being celebrated with various events and
initiatives aimed at honoring his legacy. Literary festivals, academic
conferences, and public readings of his works are taking place in Portugal and
around the world. These celebrations are not only a tribute to Camões'
contributions to literature but also an opportunity to explore the ongoing
relevance of his themes and ideas.
The
Portuguese government and cultural institutions are also promoting educational
programs to introduce Camões' works to new generations. By doing so, they
ensure that his legacy continues to inspire and influence future writers and
readers.
Luís de
Camões remains a towering figure in the world of literature, his works
capturing the spirit of his time while continuing to resonate with readers
today. As we celebrate the 500th anniversary of his birth, we are reminded of
the enduring power of his poetry and the lasting impact of his artistic vision.
Through his epic tales of adventure and his poignant lyrical verses, Camões
invites us to explore the depths of the human experience and the heights of
creative expression.
[1] In "Os Lusíadas",
"Taprobana" refers to the island of Sri Lanka, known in ancient and
classical literature as Taprobana or Taprobane. This name was used by Greek and
Roman geographers to describe the island, and it appears in various classical
texts. Luís de Camões includes this reference to emphasize the vast and
uncharted territories explored by the Portuguese during their voyages of
discovery.
[2] See the
end note above
persons,
including their personal date like place and birth date.
Farmer Anton Steckbauer
The card describing Farmer Anton Steckbauer
For example, the card presenting Anton Steckbauer
contains his exact birthdate 6th May, 1896, and place – Ludwikówka, what
corresponds with data in OFB (Ortsfamilienbuch/Family Book[5]):
STECKBAUER (= Stekbauer), Anton, born on 6.5.1866 in
Ludwikówka[6]
{Myslivka} (Dolina)/Gal. [UA], House Nr. 21., son of Anton Steckbauer and
FICHTEL (∞ Schaller, Steckbauer), Katharina born 1837 in Tarnów/Gal.
Soon after the last war,
Engelhardt was the first German painter to be invited to Paris to organize an
Engelhardt-Kyffhäuser exhibition. What he showed became a sensation for all art
connoisseurs in France. It was a new process in painting, the monotype, as he
called it. They outdid each other in Paris in enthusiastic appreciations. For
example, the "Pariser Currier" headlined his essay: "With
melting oil paint" and wrote: "After long attempts, he finally found
a way that opened up completely new possibilities of artistic expression for
him. Above all, he was helped by a binder he discovered, which gives the
colours the greatest elasticity and suppleness. The work, applied to a
light-coloured metal plate, is heated to such an extent that the colours begin
to melt and often converge like enamel. The scraped out highlights and
contours, however, even if they are wafer-thin, do not merge, but remain
razor-sharp and correct. Extraordinarily powerful effects are achieved that
cannot be achieved by any other technique."
"La Revue moderne des arts et de la
vie", however, calls Engelhardt "a real artist who is focused on
greatness". He is "swept away by his inspiration" and he is not
afraid to "tackle even the most sublime subjects". And further:
"It would be wrong to classify Otto Engelhardt-Kyffhäuser in any school.
His powerful personality is self-sufficient." This is followed by a
detailed appraisal of the individual "masterpieces" exhibited in this
prestigious journal and the conclusion: "It is not possible to give in a
few dry sentences even a reasonably clear idea of such an abundance of
inspiration and imagination as these works reveal. How far we are from the
trimmed art of so many artists of our time, who are content with the limited
horizon of a café or a dance hall! Therefore, one must take one's hat off to
the work of Otto Engelhardt-Kyffhäuser without hesitation."
While the Parisian press spoke of "the most
sublime themes", such were also shown in particular in the exhibitions
that Engelhardt presented on the basis of his repeated travels to and through
Egypt. In 1960, as part of the new cultural agreement between the Federal
Republic of Germany and the United Arab Republic, he was invited to show his
large monotype exhibition with Egyptian and some German motifs in February at
the Kunsthalle Alexandriens. It was opened in Cairo by the Egyptian Minister of
Culture and the German Ambassador. The Minister of Culture acquired for the new
modern museum in. Cairo also has the image of the Erfurt Cathedral and the
Severi Church.
While the "most sublime subjects" in
Egypt included many of the country's sanctuaries and buildings, which are
several thousand years old, Engelhardt-Kyffhäuser was invited to Rome to paint
the sites of Christian culture. Although a Protestant, he won friends through
his art in the "Institutum Germanicuni". From this place he was given
a special place in St. Peter's Basilica, from which he could capture the Pope
in various positions in the middle of the service. All of his Roman paintings
are also of radiant colour and do not fail to have an effect on people of other
faiths.
Through such achievements and successes, Otto
Engelhardt-Kyffhäuser became one of Germany's best-known painters[8].
[1] On the treck (German).
[2] Erinnerung an die Umsiedlung der Galiziendeutschen 1939/40 (Remembrance
of the resettlement the Galician Germans 1939/40), Erich Müller, Zeitweiser 2009 der
Galiziendeutschen, p. 24
[3] Erich Müller, Zeitweiser 2009
der Galiziendeutschen, ibidem p. 26
[5] Ortsfamilienbuch/Family
Book, Manfred Daum, available by GGD
[6] The place was founded around 1820. The settlers came from Bohemia and
were Roman Catholics. The new independent municipality of Ludwikówka also
included the smaller settlements of Josephstal (founded in 1832) and
Leopoldsdorf (founded in 1870). In 1900 the municipality of Ludwikówka had 62
houses with 445 inhabitants, of which 391 were German-speaking. In 1946 the
name was changed to Myslivka. The place became part of the Kalush district in
Ukraine.
Is it worth collecting poster stamps?
© Andrzej
Philips
Poster stamps, also known as Cinderella stamps,
hold a unique place in the world of philately. Unlike traditional postage
stamps issued by postal authorities for the purpose of mailing, poster stamps
are primarily designed for advertising, promotion, or commemoration. They often
feature colorful designs, artistic illustrations, and thematic imagery, making
them attractive to collectors.
The term "poster stamp" originated
because these stamps often resembled miniature posters in their design and
aesthetics. Many poster stamps were either “poster-like” in appearance or exact
miniature replicas of larger street posters. Their colorful and detailed
artwork was especially eye-catching during the early 1900s, a time when color
printing was still relatively expensive and not commonly used. This vivid,
poster-like quality made these stamps stand out and quickly catch the public’s
attention.
The decision to collect poster stamps
ultimately depends on individual preferences and interests. Here are some
factors to consider when determining if it's worth collecting them:
1. Historical Significance: Poster stamps offer
insights into various aspects of history, including advertising trends,
cultural movements, and significant events. They can serve as valuable
artifacts, providing a glimpse into the past and shedding light on social,
political, and economic contexts.
2. Artistic Value: Many poster stamps showcase
intricate artwork, innovative designs, and creative concepts. For art
enthusiasts, collecting poster stamps can be a rewarding pursuit, offering
exposure to a diverse range of artistic styles and techniques.
3. Thematic Diversity: Poster stamps cover a
wide range of themes, including sports, entertainment, transportation,
politics, and more. Collectors have the flexibility to focus on specific themes
that align with their interests, allowing for a personalized and diverse
collection.
4. Accessibility: Unlike traditional postage
stamps, which may have limited availability or require significant financial
investment, poster stamps are often more accessible and affordable. They can be
found through various channels, including online marketplaces, stamp shows, and
specialty shops.
5. Community Engagement: Collecting poster
stamps can be a social and community-oriented activity. Enthusiasts have the
opportunity to connect with fellow collectors, attend stamp exhibitions,
participate in trading events, and engage in discussions about their shared
interests.
6. Educational Value: Poster stamps offer
educational opportunities for both collectors and enthusiasts. Researching the
history, context, and significance of poster stamps can enhance one's knowledge
and appreciation of art, culture, and society.
Ultimately, the decision to collect poster
stamps should be driven by personal enjoyment, curiosity, and passion. Whether
you're drawn to their historical significance, artistic appeal, thematic
diversity, or community engagement, collecting poster stamps can be a rewarding
hobby that offers both enjoyment and enrichment.
Poster stamps are a unique category of
philatelic items resembling regular postage stamps but not used for postal
services. They encompass a broad range of subtypes, including revenue stamps
printed by national governments for tax payments, local stamps used for
regional deliveries, and most notably, privately printed stamps for advertising
or propaganda purposes. These privately produced stamps are the primary focus
for collectors and are known as poster stamps in the United States. They are
distinguished by their striking graphic designs, larger sizes, vivid colors,
and bold, eye-catching aesthetics, often mimicking the appearance of full-sized
posters.
The term poster stamp refers to a type of
cinderella stamp that resembles a miniature poster. They are typically used for
advertising, propaganda, or commemorative purposes and are not valid for
postage. Below are translations of poster stamp in several languages:
The poster stamps in other langauges: German:
Werbemarke, Vignette publicitaire or timbre affiche, Italian: Francobollo
pubblicitario, Spanish: Sello de publicidad or sello póster, Znaczek reklamowy,
Dutch: Reclamezegel, Portuguese: Selo de publicidade, Russian: Рекламная марка
(Reklamnaya marka)
Poster stamps are a fascinating aspect of
philately and graphic design history, reflecting the cultural and commercial
trends of their times. They were particularly popular in the late 19th and
early 20th centuries, especially in Europe and North America. Collectors value
them for their artistic designs and historical significance.
Wawel Gedenket der Flüchtlinge
The stamp bears the signature of H. Rauchinger
in the bottom right corner. It was designed by Heinrich Rauchinger between 1915
and 1918. The inscription Gedenket der Flüchtlinge means Remember the Refugees).
This poster stamp is a small yet poignant
artifact reflecting the historical context of its time. Designed by Heinrich
Rauchinger during World War I, it was created to draw attention to the plight
of refugees. The inclusion of the Wawel Castle, a symbol of Polish heritage and
resilience, underscores the national and cultural significance behind the call
to remember those displaced by the war.
The stamp's design incorporates elements of
Autotype printing, which allows for detailed and nuanced imagery, suitable for
capturing the solemn and evocative message intended by Rauchinger. As a work of
art, it highlights Rauchinger's skill in combining visual elements with a
powerful social message.
The signature of H. Rauchinger and the specific
mention of Wawel tie the object directly to Polish history and culture, making
it a valuable piece for collectors and historians alike. It reflects the
broader efforts during the early 20th century to use art and print media as
tools for social awareness and humanitarian appeals.
Heinrich Rauchinger's poster stamp Gedenket der
Flüchtlinge serves as a historical document and an artistic expression,
reminding us of the humanitarian crises of the past and the role of art in
addressing social issues. Its preservation in a collection highlights its
enduring significance and the importance of remembering the past through such
artifacts.
Henryk Rauchinger: An Austro-Polish Portraitist
Henryk Rauchinger, born on January 1, 1858, in
Krakow, embarked on a remarkable artistic journey that spanned the vibrant
cultural landscapes of Krakow, Vienna, and beyond. A painter of Polish descent,
Rauchinger's passion for art led him to study at the Krakow School of Fine Arts
under the esteemed Jan Matejko. Continuing his artistic education, he honed his
skills at the Academy of Fine Arts in Vienna, where he studied under August
Eisenmenger and Christian Griepenkerl.
Rauchinger's talent as a portraitist
flourished, earning him recognition within artistic circles. He showcased his
works at exhibitions in Vienna and Krakow, including presentations at the
Society of Friends of Fine Arts in Krakow from 1883 to 1899. Notably, in 1894,
he participated in an exhibition of Polish art in Lviv (Lwów), where he
presented a portrait of Zenon Przesmycki, a Polish poet known by the pseudonym
Miriam.
Throughout his career, Rauchinger received
numerous accolades for his artistry. His portraits, characterized by meticulous
attention to detail and a profound sense of emotion, earned him widespread
acclaim. Among his notable achievements were portraits of prominent figures
such as Stefan Zweig and Bertha von Suttner, reflecting his ability to capture
the essence of his subjects on canvas.
Henryk Rauchinger - In hard labor (exile to
Siberia) 1886 [National Museum in Krakow]
.jpg)
Rauchinger's legacy endures through his art,
serving as a poignant reminder of the resilience of the human spirit in the
face of adversity. In 2018, his name was commemorated in an exhibition at the
Volkskundemuseum Wien, honoring his contributions to art and bearing witness to
the enduring power of creativity in the face of tyranny.
Henryk Rauchinger's journey embodies the
transformative power of art, transcending borders and generations to leave an
indelible mark on the annals of history. Through his portraits, he immortalized
the souls of his subjects, ensuring that their stories endure as a testament to
the enduring power of the human spirit.
Rauchinger's artistic involvement in Life was part of a broader effort to establish a Polish voice within the modernist discourse. The journal's illustrative content, including Rauchinger's vignettes, often featured Symbolist and Art Nouveau influences, reflecting the international trends in art while embedding a distinct Polish perspective.
Throughout its publication, Life showcased a
variety of artistic styles and themes, including idealized femininity,
nostalgic landscapes, and allegorical motifs. Rauchinger and his
contemporaries, such as Stanisław Wyspiański and Teodor Axentowicz, contributed
to this rich visual program, which helped to legitimize and promote modernist
ideas within Poland.
A new question arises: Who is Dr. Jasieński?
Feliks Jasieński: A Patron of Art and Collector Extraordinaire
Feliks Jasieński, bearing the coat of arms of
Dołęga, was born on July 8, 1861, in Grzegorzewice, Poland, into the esteemed
Jasieński family. His life's journey intertwined with the rich tapestry of
Polish history, marked by his significant contributions to the world of art as
a critic and collector.
Wojciech Weiss, Portrait of Feliks Jasieński, 1903, National Museum in Krakow
Feliks's insatiable thirst for knowledge led
him to pursue higher education in Dorpat (now Tartu, Estonia). However, his
studies were cut short due to eye illness. Undeterred, he embarked on extensive
travels across Europe, Egypt, and Asia Minor, immersing himself in diverse
cultures and artistic influences. Residing at various times in Warsaw, Krakow,
and Lviv, he became an integral part of Krakow's artistic milieu, engaging with
the city's bohemian circles and participating in the famed Zielony Balonik (Green
Balloon) evenings.
An accomplished writer, Feliks Jasieński
contributed articles and essays to prominent publications such as Chimera, and
Lamus, where he served as literary director. In 1901, he published a collection
of essays titled Manggha. Promenades à travers les mondes, l'art et les idées,
showcasing his erudition and broad cultural interests. Collaborating with Adam
Cybulski-Łada, he co-authored the 1904 album “Sztuka Polska. Malarstwo” (Polish
Art. Painting), further cementing his reputation as a discerning critic and
promoter of Polish art.
Feliks Jasieński's pseudonym, Manggha, derived
from a collection of woodcuts by the Japanese artist Katsushika Hokusai,
reflected his fascination with Japanese art. His extensive travels enabled him
to amass a diverse collection of European and Japanese artworks, textiles, and
antiquities. Settling in Krakow in 1901, he emerged as a patron of the arts,
nurturing the talents of young artists and championing the modernist movement.
His eclectic collection, which included over
15,000 exhibits, was bequeathed to the city of Krakow in 1920, with the
condition that it would form an integral part of the National Museum in Krakow
and be accessible to the public. As the lifetime director of the donated
collection, he continually enriched its holdings, ensuring its significance for
future generations.
Feliks Jasieński's legacy endures through the
Manggha Centre of Japanese Art and Technology in Krakow, established with funds
from Andrzej Wajda's Kyoto Prize in 1987. Named in his honor, the center
preserves and showcases his remarkable collection, serving as a testament to
his enduring passion for art and cultural exchange.
Though Feliks Jasieński passed away on April 6,
1929, his contributions to the world of art continue to inspire and enrich the
cultural landscape of Poland and beyond. As his collection continues to
captivate audiences at the Manggha Centre, his vision of art as a bridge
between nations lives on, transcending boundaries and fostering understanding
in an ever-changing world.
Janina Jasieńska: A Partner in Passion for Art
Beside Feliks Jasieński stood Janina Jasieńska,
nee Biegel, a woman of grace and refinement whose presence illuminated the
vibrant circles of Krakow's artistic milieu. Born in 1870, Janina shared Feliks' passion for culture and creativity, enriching their shared journey
with her intellect and elegance.
Married to Feliks Jasieński in 1887, Janina played an integral role in her husband's life, providing unwavering support for his endeavors as a critic and collector. Together, they fostered an environment of artistic exploration and appreciation, hosting gatherings that brought together luminaries of the Polish cultural scene.
Janina's influence extended beyond the confines of their home, as she actively participated in cultural events and initiatives alongside Feliks. Her keen intellect and refined taste complemented Feliks' bold vision, contributing to the couple's enduring legacy as patrons of the arts.
Though her life remains somewhat veiled in the
shadows of history, Janina's presence undoubtedly enriched Feliks' journey,
serving as a steadfast companion in his pursuit of artistic excellence. In
commemorating Henryk Jasieński's legacy, let us also honor Janina's
contributions as a partner in passion for art, whose grace and elegance left an
indelible mark on the cultural landscape of Krakow and beyond.
Teresa Jasieńska and Henryk Jasieński: the
Guardians of Cultural Heritage
After the death of Janina, Feliks Jasieński married
Teresa Jasieńska, nee Łabęcka. Born into the noble Łabęcki family, Teresa
shared Feliks's passion for culture and creativity, enriching their shared
journey with her grace and elegance.
Henryk Jasieński, son of Feliks Aleksander Jan
Jasieński and Teresa Jasieńska, was born on October 9, 1888, in Kielce-Pisary.
He inherited a rich legacy of art and culture from his esteemed parents and
dedicated his life to preserving and promoting cultural heritage.
Growing up in an environment steeped in
artistic fervor, Henryk absorbed his parents' passion for creativity and
cultural exploration. Their home in Krakow served as a vibrant hub of
intellectual discourse and artistic exchange, nurturing Henryk's innate
curiosity and love for the arts from an early age.
Following in his father's footsteps, Henryk embarked on a mission to safeguard Poland's cultural heritage. With deep
reverence for art and history, he became the custodian of his family's
extensive collection, ensuring its preservation for future generations. His
commitment to cultural stewardship extended beyond the confines of his familial
legacy as he actively engaged in initiatives to protect and promote Poland's
rich artistic heritage.
In addition to his role as a guardian of
cultural heritage, Henryk was also a devoted husband to Halina Magdalena
Jasieńska, sharing with her a passion for art and culture. Together, they
continued the Jasieński family's tradition of patronage and philanthropy,
supporting various cultural endeavors and initiatives.
Henryk Jasieński's legacy is one of
unwavering dedication to preserving Poland's cultural heritage and fostering a
deeper appreciation for its artistic treasures. His tireless efforts as a
custodian of art and culture continue to enrich the cultural landscape of
Krakow and Poland, ensuring that future generations inherit a legacy of beauty,
creativity, and cultural enlightenment.
And all of this we deduced from a small stamp
with the following dimensions: hight:
3.5 cm, width: 2.8 cm. Is it worth collecting poster stamps?
